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Frederick Edwin Church
The Falls of Tequendama
1854
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Frederick Edwin Church
Niagara Falls
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Frederick Edwin Church
Sierra Nevada de Santa Marta
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Frederick Edwin Church
Secluded Landscape at Sunset
1860
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Frederick Edwin Church
Cotapaxi
1857
Art Institute of Chicago
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Frederick Edwin Church
The Iceberg
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Frederick Edwin Church
Sunset
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Frederick Edwin Church
Niagara Falls
1857
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Frederick Edwin Church
New England Scenery
1851
Springfield Library and Museums
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Frederick Edwin Church
Twilight in the Wilderness (nn03)
1860
Oil on canvas,101.6 x 126.6 cm 40 x 49 7/8 in Cleveland Museum of Art Cleveland OH
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Frederick Edwin Church
Frederick Edwin Church
nn07
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Frederick Edwin Church
Le caur des Andes
mk75
1859
Huile sur toile
168.9x302.9cm
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Frederick Edwin Church
Details of Le caur des Andes
mk75
1859
Huile sur toile
168.9x302.9cm
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Frederick Edwin Church
Details of Le caur des Andes
mk75
1859
Huile sur toile
168.9x302.9cm
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Frederick Edwin Church
Niagara
mk77
1857
Oil on canvas
42 1/4x990 1/2in
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Frederick Edwin Church
Niagara
MK169
1857
oil Paint on cloth
108x230cm
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Frederick Edwin Church
Regenzeit in den Tropen
mk181
1866
San Francisco
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Frederick Edwin Church
Sudamerikanische Landschaft
mk181
1856
Ol auf Leinwand
59.5x92cm
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Frederick Edwin Church
Dammerung in der Wildnis
mk181
1860
Ol auf Leinwand
101.6x162.5cm
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Frederick Edwin Church
To the Memory of Cole
mk218
1848
Oil on canvas
32x49in
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| Frederick Edwin Church
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1826-1900
Frederick Edwin Church Galleries
Frederic Edwin Church (May 4, 1826 ?C April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters. While committed to the natural sciences, he was "always concerned with including a spiritual dimension in his works".
The family wealth came from Church's father, Joseph Church, a silversmith and watchmaker in Hartford, Connecticut.(Joseph subsequently also became an official and a director of The Aetna Life Insurance Company) Joseph, in turn, was the son of Samuel Church, who founded the first paper mill in Lee, Massachusetts in the Berkshires, and this allowed him(Frederic) to pursue his interest in art from a very early age. At eighteen years of age, Church became the pupil of Thomas Cole in Catskill, New York after Daniel Wadsworth, a family neighbor and founder of the Wadsworth Atheneum, introduced the two. In May 1848, Church was elected as the youngest Associate of the National Academy of Design and was promoted to Academician the following year. Soon after, he sold his first major work to Hartford's Wadsworth Atheneum.
Church settled in New York where he taught his first pupil, William James Stillman. From the spring to autumn each year Church would travel, often by foot, sketching. He returned each winter to paint and to sell his work.
Between 1853 and 1857, Church traveled in South America, financed by businessman Cyrus West Field, who wished to use Church's paintings to lure investors to his South American ventures. Church was inspired by the Prussian explorer Alexander von Humboldt's Cosmos and his exploration of the continent; Humboldt had challenged artists to portray the "physiognomy" of the Andes.
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